Penn State University (University Park) Concert Band (Gregory Drane, conductor) – 26 April 2017.Royal Netherlands Army Band ‘Johan Willem Friso’ (Netherlands) (Tijmen Botma, conductor) – 18 July 2017 - WASBE Conference (Utrecht, Netherlands).Michigan State University (East Lansing) Symphony Band (David Thornton, conductor) – 24 October 2017.Indiana State University Wind Symphony (Nikk Pilato, conductor) - 15 February 2018.El Cerrito (Calif.) High School Wind Ensemble (Keith Johnson, conductor) - 15 February 2018 (2018 CASMEC Conference, San Jose).Virginia Commonwealth University (Richmond) Symphonic Wind Ensemble (Terry Austin, conductor) – 21 February 2018.Florida International University (Miami) Symphonic Band (Barry Bernhardt, conductor) – 19 April 2018.Shenandoah Conservatory (Winchester, Va.) Concert Band (Brian T.California State University, Bakersfield, Wind Ensemble (Len Sakomoto, conductor).University of Ottawa (Ont.) Wind Ensemble (Daniel Gress, conductor) – 7 February 2019.Middle Tennessee State University (Murfreesboro) Symphonic Band (Denny Hawkins, conductor) - 28 February 2019.Arkansas (Farmington) Winds Community Concert Band (Michael Ferguson, conductor) – 2 March 2019.
Pacific Lutheran University (Parkland, Wash.) Wind Ensemble (Edwin Powell, conductor) – 10 March 2019.Fresno State (Calif.) Symphonic Band (Steven McKeithen, conductor) -15 March 2019 (2019 Sutherland Wind Festival (Fresno, Calif.).Louisiana State University (Baton Rouge) Symphonic Band (Weston Lewis, conductor) – 10 March 2020.University of Kansas (Lawrence) Symphonic Band (Matthew O.Texas Tech University (Lubbock) Symphonic Band (Lisa Tatum, conductor) - 1 April 2021.Rowan University (Glassboro, N.J.) Wind Ensemble (Joseph Higgins, conductor) - 7 December 2021.To submit a performance please join The Wind Repertory Project I love and often long for a big, lush sound that can give a sense of space and evocativeness, but still be intimate, somehow. This is the case with quite a few of my more recent choral works, such as Dark Night of the Soul, Agnus Dei: Phoenix, and The Spheres. With Serenity, I wanted to write a cappella music that has a symphonic, abundant feel. Program Note by Jacob Wallace for the Baylor Wind Ensemble concert program, 19 December 2014 The closing section of the piece returns to the timbre of the opening, but now painted with hopefulness and healing, having been granted a sensation of peace. The middle portion of the piece shifts the principal modality from minor to major, and, while the supporting harmonies move no more quickly than before, the layering orchestration and rising tessitura give birth to a tremendous rush of energy that reaches a moment of triumphant catharsis before receding. The harmonic motion of this first section is thoroughly patient, with a careful placidity. The opening is ethereal and somber, with sustained chords in clarinets, trombones, and bowed percussion supporting a delicate oboe solo (taking on the role of the obbligato string part from the original). Eric Wilson (Baylor University Director of Bands) and the composer, maintains all the wonder of the original despite the absence of text. This version for wind band, arranged by Dr. The text is one that celebrates new life with hopefulness, and composers who have set these words famously (from Renaissance masters William Byrd and Tomás Luis de Victoria to living composers like Morten Lauridsen) have often filled their musical presentations with resplendent optimism. Originally cast for mixed chorus and solo string instrument (either violin or cello), the piece sets the text of the responsorial chant “O magnum mysterium” from the Christmas Matins liturgy. Serenity also owes its origins to a choral work of the same name. His wind band works have a choral connection as well his Meridian has an optional featured part for mixed chorus, and The Spheres is an arrangement of the opening “Kyrie” movement of his Sunrise Mass. He is, however, an emergent star in the realm of choral compositions, with a host of works and several studio albums of his works including a critically acclaimed 2013 release by the Phoenix Chorale entitled Northern Lights. Within the wind band community, the name of Norwegian composer and pianist Ola Gjeilo might not be immediately familiar. Difficulty: IV (see Ratings for explanation)Ĭost: Score and Parts - $85.00 | Score Only - $10.00
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